Here’s some overarching themes and subjects in my fiction:
1. Civil war as subplot
2. Blood. Lots of it. And screams. Loud ones. Nearby.
3. Big, strong women who wield big weapons and have intimacy issues
4. Beautiful male dancers who are uninterested in said heroine. My most popular side-kick template.
5. Queer and bisexual characters, particularly women within matriarchal set-ups, as well as sexless neuter characters, sex-changing characters, and androgynies.
6. War, baby. All-out, bloodthirsty, pistol-wielding, sword swinging, blood curdling WAR. Including genocide as primary plotline, often within a desert setting. Oh yea.
7. Multi-colored and cultured societies. See aforementioned interest in war.
8. Bugs. Lots and lots of bugs.
Here’s some things you probably won’t see in my fiction:
1. Matriachal societies who end wars by putting together a big book that Explains Very Politely to the Evil People that Peace is Really Better, and Save the Day through their “natural” nurturing and soft-spokenness, proving that if you let yourself be a doormat long enough, eventually someone will become enlightened and listen to you.
2. Hard SF that’s primarily about Big Machines that Go Real Fast
3. Anything where the social structure is exactly like it is in America in 2005, or 1985, for that matter.
4. You’re not likely to see anything without bugs in it for some time. South Africa has scarred me for life.
5. Psychic cats
6. A women soldier who goes out onto the battlefield, pulls off her helm, and “tosses her long auburn locks.” I’m not particularly sure what she’s doing with long, unbound hair in the first place (particularly clean unbound hair that will bounce like it does in a Pantene commercial after being bundled up into a helmet and left unwashed for three months), let alone why the fuck she’s stopping her horse in the middle of a bunch of dead bodies on the field to toss her head like Jessica Alba (Gardens of the Moon). Which would be why I wouldn’t write it.